There is a great deal of interest in bodily fluids, excretions and excrement in this book. Miss Beedle is the Adora Belle Dearheart of Snuff she teaches the goblins to read and discovers an immense musical talent among them. In this he is aided by a children's book writer called Felicity Beedle, author of Melvin and the Enormous Boil, Daphne and the Nose Pickers and Gaston's Enormous Problem. Predictably and agreeably, Vimes takes up the cudgel on their behalf, rescuing them from captivity. They are not classified as human, or sentient beings, and so can be bought, sold and enslaved.
In Snuff it is the goblins who are the centre of attention: they are a dim, feeble collection of creatures who smell very bad and live in a mess in dark holes, stealing chickens and other things.
Both of these initially irritating beings are redeemed by the narrator: the imp turns out to be really helpful, and the accountant performs heroic actions in a battle. Pratchett himself for several books appeared to be hostile to vampires – but then he has a natural tendency to imagine creatures intricately and charitably, so he gives us Mr Otto von Chriek, a photographer who has taken the "black ribbon" vow of teetotalism and has to be reconstituted with drops of blood every time he explodes himself with his camera flash.Įlsewhere Vimes is persecuted by a green imp inside a "dis-organiser", a gift from his wife, and by a meticulous accountant called AE Pessimal, sent by the Patrician to order his papers. In the early books, Captain Vimes was capable of easy "speciesism" at the expense of the dwarves and trolls, gargoyles and zombies who make up the Watch. In Unseen Academicals Mr Nutt is an orc, a creature capable of great violence, who has become an erudite and resourceful hero. In Feet of Clay, and Making Money, Miss Adora Belle Dearheart runs the Golem Trust, and golems develop from being clay automatons to beings with thoughts and language. Pratchett has written several stories set on the Discworld in which ill-treated, unconsidered species are described and explained and admitted to society. Things move along nicely, culminating in a breathtaking chase on a string of barges being flung about on a river in spate called Old Treachery.
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Vimes is his usual streetwise and dogged self, rapidly learning how to make best use of the habits of country pubs and improve the standards of village policing. There are easy parallels to be drawn with venal aspects of our own society: abuses of privilege, fiddling of expenses, blind eyes turned. They also trade in living beings: goblins, who are not classified as people. They are sending hard drugs – slab and slide, which destroy the lives of young urban trolls – to the cities by barge and boat. Here he uncovers a smuggling ring run by the local aristocrats, who are indeed the law itself, as they are also the local magistrates. Commander Vimes, the Duke of Ankh, is persuaded, or forced, to go on a holiday to the immense country mansion of his wife, Lady Sybil. Terry Pratchett's new novel turns on the connection between the two. It also means arbitrary and unpleasant deaths, as in snuff movies. S nuff has pleasant and innocent connotations – as an old-fashioned stimulant to be kept in elegant boxes and snorted gracefully in society.
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